dude, nas, it’s okay man, i know you’re foreal that nastradamas. foreal man, this tycho broham, he is understand what it is to be all up and that seeing shit in the stars kinda shit.
“always on schedule, never on time”-nas
after hip hop, there will only be jazz
man ass man, this movie is so totally what it is about to watch a movie. it’s all like “hey man, i know what you’re thinking. you’re all like, ‘this shit is soooooo, you know, like some stressful ass movie about people in England tou hundred years ago being all like “oh shit i’m so stressed and shit being the king”‘ but naw dawg, we’re gonna flip that shit on you and make it a love story and make it a good love story and make it look really freakin cool with a purpose and then not make shit all stupid and heavy for you just because we want to win an oscar” you know? but it’s not. it’s all about trying to be happy. it’s all about having a good time and not forcing you to feel anything. this is why Zohan of The Year Award for 2008 went to You Don’t Mess With The Zohan because it’s a fucking really easy movie to watch that was made really fucking well (ANNND IT DEALT WITH RACISM!).
dude this movie is called:
also, this movie is made by the french and foreal man, they know how to make a movie with detail and make it feel like foreal life. and shut up man, foreal life is totally enjoyable. yeah fuck being interesting.
listen man, i was talking to this guy who is my friend named
Magnificent Bird
and he taught me so much, man. he taught me about like watching porn and having that shit be okay. and like, i dunno man, like quitting smoking and shit and fuckin he really is a good dude who is out to doo that good deed. listen to his sweet ass blog, man. come, on.
watch Poetic Justice. i bet you are probably all like “janet jackson? she is a practically lesbian and does not look like Rhianna” but fucket. this movie is some of this real shit. Boyz N The Hood was pretty iight, but it still felt way to like “yo this is a serious movie about serious shit” but mofuckin Poetic Justice is so fuckin sweet cause it’s got 2Pac to begin with (WAQARRRRR?) and then Q-Tip is the man who is Janet Jackson’s boyfriend in the beginning of the movie. He fuckin kisses all up and the time! i unnerstand 2Pac being able to onscreen mac but fuck dawg Q-Tip’s not good looking or a very much gangsta. shit, maybe that is the magic that is the 1993: you can be a little gangsta, a little de la soul, whatever: SHIT IS ALIIIIIVE
foreal dude go listen to the whole Skee Lo album. here, first is this song
but seriously mofuckin shit Skee Lo is totally all about being Tupac but with a clear conscience. yeah man, Skee Lo is Tupac when hes actually taking a break. Foreal, the whole album is all about being from Crenshaw and smokin weed. This is mad ass underground hip hop before underground. i dunno, i guess some of the album is kinda de la soul but fuckit man, way better. Man, shit like this song is why Skee Lo is a that forgotten hero of 95.
man, everytime i ask a question in google i can usually find a good answer from yahoo ask en shit and i just wanted to know if stevie wonder ever had a drug phase (a phase of actually doing drugs, regardless of what the music sounded). i mean, i always thinking he is so nice good guy from church but he is kinda smarmy fashion student in this interview:
Stevie Wonder vs. Dick Cavett 1970
dude, stevie wonder’s bein a total dick to dick cavett. dick cavett, though a square white 60s dude in the 70s, is being a pretty fair guy to stevie wonder and stevie wonder is all up and telling him he’s gonna lay his body down but he is blind. dude, ray charles does the same shit. he totally threatens to kick peoples asses all the time.
the more i think about it, stevie wonder is probably not that awesome of a guy. i bet he could benefit from taking piano lessons again or something. you know, make him have to start over. i always thought taht stevie was all up and the savior of music and he was but he got greedy with his own style though, just like any artist who is all about being [YOUR NAME HERE] the artist. frank sinatra, billie joel, norah jones, (fuckit) bjork: just people who are normal ass people who play music that people like (except bjork really) and use their normal ass identities to sell records. but THAT’s the trap house; thinking that you need to turn your normal self into an identity self. but that’s what identities are for: so you can be as normal ass normal ass normal as you wantwhen you’re not on stage. if jimi hendrix called himself louis armstrong (he would actually have a louis armstrong mask on), he would have been able to rock himself just as hard as he actually did and then leave the stage and be a fuckin accountant if he wanted without anyone knowing. dude, i’m gonna say this but fuck, i think musicians really need to be like atheletes and fuckin do calisthentics and excercises and actually be physically fit. that’s why hip hop made sense (in the 80s), cause it WAS a fucking sport. you were battling an opponent but you never actually battled him and fucked him up out of rage. good sportsmanship was always in effect. 80s rappin and breakin and whatever taggin en shit was so fuckin cool because it was the best taht music had come to being a sport. yes. i say it again. fuckit, i said it once. let it be known.
yeah it’s true, jsut feel this track