hey you guy ass man. i saw this site with a lot foreally amazing things on it this site really is the best of things i always wanted but were never invented.
man, why is everyone forget about Lil Mama? she really that spicy, fun, hot like a volcano lava spit fire girl but everyone is all like “oh wow, look. it is Kid Sister and i hate her album”. nobody likes her album, man but everybody wants to talk about not liking it. anyway, though, whatevs, Lil Mama released this song like an entire year after Flo Rida “Low” came out and i guess the Lil Mama song was a big deal but shit i never heard it.
man, mane. he is so a kind of silly man of a rapper but really he is totally that scary man blues. fuuuuuck. look at him give the beat down on this woman:
well they’re both here together just like they were left in 1998. man, the 1997-1999 what a silver age of hip hop. i don’t really know what silver age is supposed to mean i’m just saying taht it was less than a gold or platinum age of hip hop (athe first of which has happened and the second which may have or may still have yet to happen). i’m pretty sure that 1997-1999 is my golden age of hip hop because it’s when i ever started listening to power 106. so for my golden age of hip hop to be a silver age of hip hop means it was a pretty uninspired age of hip hop. so really, yeah, the fuckin 80s is all epic and shit and is the true golden age right down to 89. the 90 to 94 was totally interesting and confused like most of everything you could hear or see then. 95 to 97 is like totally the fuckin 2pac biggie era and pretty much the beginning of bling, no foreal. 2001 was the year of the chronic 2001. 2002-2003, i don’t know man. 2003-2004 was all hey ya territory and college dropout. man outkast needs to come back. for sure. or fuck it. someone needs to go from where outkast left off with hey ya. anyway, so 2005 was i don’t even remember man, maybe lil jon. yeah, 2005 is the year that crunk became official and the south began to rise again. woord. so 2005 till 2007 was about all that minimalist southern club jeezy kinda shit. also mims, remember? dude that guys from brooklyn, perhaps (i know its new york somewhere). that shit was a movement in itself. it was fucking brooklyn AND it was ATL. mims, fuck man, i know you got more in you. you can do it, make another great record. just do one. okay, so 2008 was the beginning of all this akon dance bullshit. but i musn’t forget that dance bullshit gave the world T-Pain and he’s really knows what’s going on. okay so 2008 can be summed up as Lil Wayne and T-Pain. oh fuck. that’s it. 2008 is the culmination of southern rap. T-Pain, though not from ATL is the paragon of southern efforts toward elegance. Fuckin Flo rida too man. Apple Bottom Jeans is a movement in itself. fuck, if What You Know About That get’s to be a genre redefining song then fuckin Apple Bottom Jeans gets to be too and then some. okay anyway, 2009 looks like it’s a mixed bag of nuts featuring the end of the end of the Brooklyn empire with Jay-Z’s last album, bloated southernism turned rave revivalism into southernhiphopism mixed with Kelly Clarkson Wal-Martism. seriously, that’s really the sad state of hip hop: it’s just Wal-Martized and is okay with it. Seriously, all the dancey shit that we’re hearing on the radio right now makes me completely understand the discosucks movement. fucking Akon sucks. fucking that remix of Day And Night SUUGXX. foreal. 2009 is the disco sucks era of hip hop. gucci mane is pretty fucking sweet thoguh. and though i hate Drake and think he’s a one dimensional pansy in lions clothes, a lot of ground have been broken in production with his album and he’s pretty okay at rapping. man. whew. yo, everybody just get that ready seat on for this Tycho Broham 2009 TIMEEE! 2009 is Tycho Broham time to close out the millenium and show all these sucka emcees who forgot about dre. this record baby is comin out before 2009 is done whether you like it or not! aiight, anyway, here’s Ma$e
yo, before DJJOHNSMITH2000 was all “hay, a mixtape every sunday man for sure” and then fuck you he’s all like “now it’s whenevers. thank me you are a bitch”. but shiiiiiit, this DJJOHNSMITH2000 he is back and has no time for messing around again! okay, don’t even care:
this is the first thing i listened to on my ladytime #4s itunes this morning and it’s totally okay if it’s the first thing you’re listening to and like you’re all feeling like skateboarding and making hanging out with a band. yeah i totally forgot they look like the pop punk Monkees.
foreal, they have number 1 underground identity djman Burial featured in their tabloids! auuuuuwwwatt? daaayyymed, even their housewives are smrtter. aiight, so i was writing that partymoose.com and then my roommate starts playing music and i’m all “FUUUUUUUUUUCK, maan. THIS IS THAT PARTYMOOSE.COM! dawn you get it?!” but then the song was THIS:
this is yo la tengo on a roof in brooklyn rooftop putting memphis bleak to sleep a few apartments away. man, did i used to think yo la tengo was the worst band that Pitchfork told me i need to respect but shit man, Mr. Tengo really knows how to rock an electric piano. and what is more, they are just three guys who all look at least 40! dang man. yeah they definitely bring heat in their own sensitive like way. aurlight, Partymoose.com presents Pitchfork.tv presents:
i just saw this commercial for mariokart ds from japan it’s so awesome! there is like an italian dude, a french dude, an american dude and then a japanesedudetheheroofcourse all playing mariokart ds against each other and yeah man i dunno japan still knows how to enjoy a stereotype.
